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Hello

Curriculum Vitae

My name is Yukari Yamano.

I write and design bilingual content — English and Japanese — for people who need to understand something complicated. That work comes with the programs behind it: schedules, stakeholders, vendors, and the approval workflows in between.

 

Today that means turning Washington State labor laws, tax rules, and compliance requirements into practical guidance for Japanese-speaking small business owners, as Program Coordinator for the Small Business Resiliency Network at the Japan-America Society of Washington. I write a weekly bilingual series, hold consistent voice and terminology across both languages, and manage the review process with the state agencies that approve it.

 

Before that, I spent five years at the Seattle Japanese Garden, where I wrote twelve articles on Japanese culture and history, managed a website reaching more than 10,000 annual visitors, and developed year-round public programming. Earlier in my career, I spent twelve years designing interfaces and the documentation that made them usable — UI specifications for engineering teams, instructional manuals for clients.

 

I hold an MFA in Interdisciplinary Design Studies from Kyoto University of the Arts, completed entirely in Japanese, and a BS in Graphic Design from San José State University. I'm a native Japanese speaker and have worked professionally in English in the United States for 24 years.

Yukari Yamano's face picture

Professional Experience

Japan-America Society of Washington (Non-profit)

Program Coordinator, Small Business Resiliency Network · Mercer Island, WA ・April 2026 – Present

I coordinate services for Japanese immigrant and Japanese American small business owners through a Washington State Department of Commerce program, funded through grants from the Department of Commerce, the Department of Labor & Industries, and the Washington State Microenterprise Association.

 

Most of my work is content: deciding what these business owners need to know, then designing and writing it so they can understand it and act on it.

WRITING

I write a weekly bilingual series, 知っ得情報 / “Did You Know?”, covering labor law, tax changes, and compliance requirements. I start with material from weekly SBA technical assistance briefings, filter it for what actually matters to a Japanese-speaking restaurant owner, salon operator, or other small business owner in Washington, and turn it into practical guidance.

 

Every piece is published in English and Japanese, with the same terminology, meaning, and voice across both languages.

 

I also write the monthly program report for the Department of Commerce, combining performance data with client success stories, and authored the published recap of our Japan Fair 2026 participation.

 

RENAMING A PROGRAM

The organization offered one-on-one business consultations under the name “Workshop.” The label created the wrong expectation before anyone arrived. I renamed the program to describe what it actually was and rewrote the description accordingly. A small change, but the words were doing the wrong work.

 

REBUILDING THE CONTENT PIPELINE

Our L&I grant-funded content requires state agency approval before publication. The team knew approvals could take up to six weeks, but there was no schedule built around that — each deliverable was handled ad hoc as it came due.

 

At a weekly check-in, I asked whether we could submit drafts before the quarter started. The answer was yes; nobody had asked. I built a six-month schedule working backward from quarterly deadlines, and I track every submission through the approval chain: submitted, under review, edits returned, revised, approved, published.

 

Q3 content is approved and published, Q4 is in review, and actual review cycles are running two to four weeks. The team can now plan against measured turnaround rather than a six-week worst-case assumption.

 

MOVING THE PROGRAM TO ITS AUDIENCE

Attendance at our presentation series was chronically low. Each grant deliverable requires a minimum of fifteen attendees, making low turnout a compliance risk as well as an outreach problem.

 

The previous approach relied primarily on personal recruitment.

 

At Japan Fair 2026, I ran a survey asking business owners where they wanted these programs held. More than 200 people responded, with a clear preference for the Eastside and Bellevue as the most requested location.

 

I researched three alternative venues, visited them, and found that Bellevue City Hall offers conference space to nonprofits at no cost. I presented the findings to program leadership, and the presentation series moved. The September presentation is now booked.

SYSTEMS AND OPERATIONS

During the organization's migration from Wild Apricot to Neon One, I rebuilt the registration and ticketing flows for our consultation programs and published the consultation series to the website event calendar. Previously, the programs were promoted only through social media and the newsletter.

 

I also built the team's six-month master schedule, tracking four funding streams, quarterly deliverables, external review status, and event milestones at daily resolution.

Seattle Japanese Garden - Arboretum Foundation (Non-profit)

Programs & Events Coordinator ・ Seattle, WA・Feb 2020 – Mar 2025

Five years running public programming at a garden that receives more than 10,000 visitors a year. I coordinated events end to end, managed the website and social media, and wrote most of what the public read.

WRITING

Twelve published articles on Japanese culture, history, and garden practice:

​I also wrote event copy, seasonal features, and community calendar listings, and managed the site's structure and page updates in coordination with the City of Seattle and the Unit 86 docent group.

 

PROGRAMMING AND OPERATIONS

  • ​Coordinated year-round cultural programming: scheduling, contracting, logistics, staffing, and day-of execution

  • Drafted a new Shoseian Tea House usage agreement replacing an outdated 2016 contract, closing a documentation gap between the Garden and three tea ceremony organizations

  • Facilitated recurring meetings with those three organizations; supported 104 tea demonstrations reaching more than 1,040 visitors in 2024

  • Restructured ad hoc monthly programming into a consistent lecture series to build repeat adult attendance

  • Secured grant funding and built a photography workshop program for underserved students in partnership with Youth in Focus

Freelance (Sole-proprietor)

Graphic Designer ・ SF Bay Area & Seattle, WA・Apr 2002 – 2020

Built CMS-based websites and print materials for small businesses, artists, and nonprofits, including bilingual English/Japanese work, managing projects independently from scoping through delivery.​​

Pricelock (Start-up)

UI Designer & Graphic Designer ・ Redwood City, CA・Nov 2011 – Mar 2014
B2B platform for energy commodity trading and price hedging

  • Built and maintained web-based HTML documentation of UI specifications and style guidelines as the engineering team's working reference, keeping it current across releases

  • Designed interfaces for an energy commodity auction platform and an industry networking product

  • Worked directly with executives, product managers, and engineers; participated in usability testing and design reviews

  • Produced marketing and sales communication materials alongside product work

Busse Design USA (UX Design Studio)

UI Designer ・ Emeryville, CA・Aug 2003 – Oct 2011

  • Authored client-facing documentation and instructional manuals for web applications, writing for non-technical end users

  • Produced UX flows, wireframes, and interface design for 50+ clients including SanDisk, Schneider Electric, TD Ameritrade, Delta Dental, and Tibco

  • Delivered web, application, and print work across concurrent engagements, managing timelines independently

Education

Kyoto University of the Arts: Interdisciplinary Design Studies Field

Master of Fine Arts

Graduated March 2025 ・ Online Program ・ Kyoto, Japan

Completed entirely in Japanese.

Research: Oiso Past and Present Fudoki

For my second-year capstone, I worked with four Japanese teammates studying Oiso Town, Kanagawa Prefecture. I visited Oiso twice, staying a week each time, to conduct site observations and facilitate a group interview with the Oiso Volunteer Guide Association. I corresponded in Japanese with the Oiso Municipal Museum and City Hall to retrieve records that had never been digitized, and deployed two resident surveys to identify which parts of the town's history mattered most to people living there.

 

That research turned up an unexpected link: the former Kinoshita Kenpei Villa in Oiso was designed by Sabro Ozasa — the same architect behind Seattle's Panama Hotel. We defended the project in a formal oral examination before a faculty board. Research methods: Japanese-language field interviews, survey design and deployment, archival research, stakeholder coordination

San José State University: Graphic Design

Bachelor of Science

Graduated May 2001 ・San Jose, California, USA

Dean's Scholar Award for academic excellence.

Additional Education & Learning

Continuing education

Human-Centered Design Specialization — UC San Diego (Coursera, 2021)

Coursework included Designing, Running, and Analyzing Experiments; User Experience: Research & Prototyping; Information Design; Social Computing. HTML and CSS — freeCodeCamp

 

Skills & Tools

LANGUAGE

  • Japanese — native. Graduate-level academic research, writing, and fieldwork conducted in Japanese; familiar with Japanese business protocol.

  • English — professional native equivalent. US undergraduate degree; 24 years working professionally in English in the United States.

  • Japanese–English translation and verbal interpretation.

CONTENT & WRITING

  • Plain-language rewriting and editorial judgment

  • Naming, labeling, and information hierarchy

  • Long-form article writing and social copy

  • Style guides, terminology references, and specification documentation

  • Content review workflows and editorial calendars

  • CMS and CRM migration (Wild Apricot → Neon One), including registration and ticketing flow rebuild

PROGRAM & PROJECT COORDINATION

  • Scope, schedule, and milestone tracking

  • Stakeholder and vendor coordination

  • Contract negotiation and administration

  • Budget monitoring and grant reporting

  • Process documentation

RESEARCH

  • Survey design and administration (200+ response intercept; 60-response online; Japanese-language field surveys)

  • Stakeholder and group interviews

  • Heuristic evaluation

  • Archival and secondary research

 

TOOLS

  • Design: Figma, Miro, Adobe Creative Cloud

  • CMS & platforms: Wix, Squarespace, WordPress, Wild Apricot, Neon One

  • Project & documentation: Jira, Microsoft Office

  • Content & outreach: Hootsuite, Constant Contact, Marketo, Microsoft Forms

  • Operations: Bloomerang, Greater Giving, Square

  • AI: Claude, ChatGPT, Gemini, Microsoft Copilot— bilingual drafting and content workflows

  • Front-end: HTML, CSS, JavaScript

Hobbies & Interests

The Way of Tea

Japanese Tea Ceremony (Urasenke School)

Member of Chado Urasenke Tankokai Seattle Association

Visual Arts

Painting and drawing as part of personal creative practice, inspired by nature, Japanese aesthetics, and storytelling

Favorite Games

Zelda: Breath of the Wild, Tears of the Kingdom, Monument Valley, Gorogoa

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© 2026 yukari yamano design

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