top of page

Hello

Curriculum Vitae

My name is Yukari Yamano.

​

I write and design bilingual content — English and Japanese — for people who need to understand something complicated. That work comes with the programs behind it: schedules, stakeholders, vendors, and the approval workflows in between.

 

Today that means turning Washington State labor laws, tax rules, and compliance requirements into practical guidance for small business owners across the state, as Program Manager for the Small Business Resiliency Program at the Japan-America Society of the State of Washington. I write a weekly bilingual series, hold consistent voice and terminology across both languages, and manage the review process with the state agencies that approve it.

​

Before that, I spent five years at the Seattle Japanese Garden, where I wrote twelve articles on Japanese culture and history, managed a website reaching more than 10,000 annual visitors, and developed year-round public programming. Earlier in my career, I spent twelve years designing interfaces and the documentation that made them usable — UI specifications for engineering teams, instructional manuals for clients.

 

I hold an MFA in Interdisciplinary Design Studies from Kyoto University of the Arts, completed entirely in Japanese, and a BS in Graphic Design from San José State University. I’m a native Japanese speaker and have worked professionally in English in the United States.

Yukari Yamano's face picture

Professional Experience

Japan-America Society of Washington (Non-profit)

Program Manager, Small Business Resiliency Network · Mercer Island, WA ・April 2026 – Present

​

I manage services for small business owners across Washington State, delivered in Japanese and English, as part of the state’s Small Business Resiliency Network — funded by grants from the Department of Commerce, the Department of Labor & Industries, and the Washington State Microenterprise Association. The work is deciding what they need to know and getting it to them: tracking regulatory changes, turning them into practical bilingual guidance, and planning the hybrid seminars and presentations that deliver them.

​​

WRITING

I write a weekly bilingual series, 知っ得情報 / “Did You Know?”, covering labor law, tax changes, and compliance requirements. I start with material from weekly SBA technical assistance briefings, filter it for what matters to a restaurant owner or salon operator in Washington, and turn it into practical guidance. Every piece is published in English and Japanese, with the same terminology, meaning, and voice across both languages.

 

I also prepare the monthly program report for the Department of Commerce: social and web performance metrics, participation data, demographic reporting against state grant categories, and client outcome narratives. I wrote the published recaps of our Japan Fair 2026 participation and the launch of our Small Business Toolkit Series.

 

RENAMING A PROGRAM

The organization offered one-on-one business consultations under the name "Workshop." The label created the wrong expectation before anyone arrived. I renamed the program to describe what it actually was and rewrote the description — the words were doing the wrong work.

​

REBUILDING THE CONTENT PIPELINE

Our L&I grant-funded content requires state agency approval before publication. The team knew approvals could take up to six weeks, but there was no schedule built around that; each deliverable was handled ad hoc as it came due. ​

 

At a check-in with the agency, I asked whether we could submit drafts before the quarter started. The answer was yes; nobody had asked. I built a rolling 12-month schedule working backward from quarterly deadlines — deliverables, review status, and event milestones at daily resolution — and I track every submission through the approval chain. Four consecutive quarters have gone out across both grant streams, review cycles are running two to four weeks rather than six, and I’m now planning Q1 2027 against measured turnaround rather than a worst-case assumption.

 

MOVING THE PROGRAM TO ITS AUDIENCE

Attendance at our presentation series was chronically low, and each grant deliverable requires a minimum of fifteen attendees — making low turnout a compliance risk, not just an outreach problem. 

 

At Japan Fair 2026, I ran a survey asking attendees where they wanted these programs held. More than 200 people responded, with a clear preference for the Eastside; Bellevue was the most requested location. I researched three alternative venues, visited them, and found that Bellevue City Hall offers conference space to nonprofits at no cost. I presented the findings to program leadership and the series moved.

 

It launched in September as the Small Business Toolkit Series, and the October session drew more than twenty attendees — above the grant’s fifteen-person threshold. Our one-on-one consultations now run at Bellevue Library as well. I’m testing a fully online format next, starting with the workers’ program.

​

SYSTEMS AND OPERATIONS

During the organization’s migration from Wild Apricot to Neon One, I rebuilt the registration and ticketing flows for our consultation programs and published the consultation series to the website event calendar — previously promoted only through social media and the newsletter. ​

Seattle Japanese Garden - Arboretum Foundation (Non-profit)

Programs & Events Coordinator ・ Seattle, WA・Feb 2020 – Mar 2025

​

Five years running public programming at a garden that receives more than 10,000 visitors a year. I coordinated events end to end — much of it in Japanese, with visiting artists and the tea organizations — managed the website and social media, and wrote most of what the public read.

​​

WRITING

Twelve published articles on Japanese culture, history, and garden practice:

​​

​I also wrote event copy, seasonal features, and community calendar listings, and managed the site's structure and page updates in coordination with the City of Seattle and the Unit 86 docent group.

 

PROGRAMMING AND OPERATIONS

  • ​Coordinated year-round cultural programming: scheduling, contracting in Japanese and English, logistics, staffing, and day-of execution

  • Drafted a new Shoseian Tea House usage agreement replacing an outdated 2016 contract, closing a nine-year documentation gap between the Garden and three tea ceremony organizations

  • Facilitated recurring meetings in Japanese with those three organizations; supported 104 tea demonstrations reaching more than 1,040 visitors in 2024

  • Restructured ad hoc monthly programming into a consistent lecture series to build repeat adult attendance

  • Secured grant funding and built a photography workshop program for underserved students in partnership with Youth in Focus​​

​​

Freelance (Sole-proprietor)

Graphic Designer ・ SF Bay Area & Seattle, WA・Apr 2002 – 2020

​

Built CMS-based websites and print materials for small businesses, artists, and nonprofits, including bilingual English/Japanese work, managing projects independently from scoping through delivery.​​

Pricelock (Start-up)

UI Designer & Graphic Designer ・ Redwood City, CA・Nov 2011 – Mar 2014
B2B platform for energy commodity trading and price hedging

​​

  • Built and maintained web-based HTML documentation of UI specifications and style guidelines as the engineering team's working reference, keeping it current across releases

  • Designed interfaces for an energy commodity auction platform and an industry networking product

  • Worked directly with executives, product managers, and engineers; participated in usability testing and design reviews

  • Produced marketing and sales communication materials alongside product work​

Busse Design USA (UX Design Studio)

UI Designer & Graphic Designer ・ Emeryville, CA・Aug 2003 – Oct 2011

​​

  • Authored client-facing documentation and instructional manuals for web applications, writing for non-technical end users

  • Produced UX flows, wireframes, and interface design for 50+ clients including SanDisk, Schneider Electric, TD Ameritrade, Delta Dental, and Tibco

  • Delivered web, application, and print work across concurrent engagements, managing timelines independently​

Education

Kyoto University of the Arts: Interdisciplinary Design Studies Field

Master of Fine Arts

Graduated March 2025 ・ Online Program ・ Kyoto, Japan

Completed entirely in Japanese.

​Research: Oiso Past and Present Fudoki

 

For my second-year capstone, I worked with four Japanese teammates studying Oiso Town, Kanagawa Prefecture. I visited Oiso twice, staying a week each time, to conduct site observations and facilitate a group interview with the Oiso Volunteer Guide Association, and continued interviews remotely from Seattle over Zoom. I corresponded in Japanese with the Oiso Municipal Museum and City Hall to retrieve records that had never been digitized, and ran two resident surveys to identify which parts of the town's history mattered most to people living there.

 

That research turned up an unexpected link: the former Kinoshita Kenpei Villa in Oiso was designed by Sabro Ozasa — the same architect behind Seattle's Panama Hotel. We presented the project as a team to a faculty board. Research methods: Japanese-language field interviews, survey design and deployment, archival research, stakeholder coordination.

​

San José State University: Graphic Design

Bachelor of Science

Graduated May 2001 ・San Jose, California, USA

Dean's Scholar Award for academic excellence.​

Additional Education & Learning

Continuing education

Human-Centered Design Specialization — UC San Diego (Coursera, 2021)

Coursework included Designing, Running, and Analyzing Experiments; User Experience: Research & Prototyping; Information Design; Social Computing.

 

Skills & Tools

LANGUAGE

  • Japanese — native. Graduate-level academic research, writing, and fieldwork conducted in Japanese; familiar with Japanese business protocol.

  • English — Bilingual Proficiency. US undergraduate degree; working professionally in English in the United States. ​

  • Japanese–English translation.

​​

CONTENT & WRITING

  • Plain-language rewriting and editorial judgment

  • Naming, labeling, and information hierarchy

  • Long-form article writing and social copy

  • Style guides, terminology references, and specification documentation

  • Content review workflows and editorial calendars

  • CMS and CRM migration (Wild Apricot → Neon One), including registration and ticketing flow rebuild

​​

PROGRAM & PROJECT COORDINATION

  • Scope, schedule, and milestone tracking

  • Stakeholder and vendor coordination

  • Contract negotiation and administration

  • Budget monitoring and grant reporting

  • Process documentation

​​

RESEARCH

  • Survey design and administration (200+ response intercept; 60-response online; Japanese-language field surveys)

  • Stakeholder and group interviews

  • Heuristic evaluation

  • Archival and secondary research

 

TOOLS

  • Design: Figma, Miro, Adobe Creative Cloud

  • CMS & platforms: Wix, Squarespace, WordPress, Wild Apricot, Neon One

  • Project & documentation: Jira, Microsoft Office

  • Content & outreach: Hootsuite, Constant Contact, Marketo, Microsoft Forms

  • Operations: Bloomerang, Greater Giving, Square

  • AI: Claude, ChatGPT, Gemini, Microsoft Copilot — bilingual drafting and content workflows

  • Front-end: HTML, CSS, JavaScript

Hobbies & Interests

The Way of Tea

Japanese Tea Ceremony (Urasenke School)

Member of Chado Urasenke Tankokai Seattle Association

​

Visual Arts

Painting and drawing as part of personal creative practice, inspired by nature, Japanese aesthetics, and storytelling

​

Favorite Games

Zelda: Breath of the Wild, Tears of the Kingdom, Monument Valley, Gorogoa

​

LinkedIn Logo

© 2026 yukari yamano design

bottom of page